Destiny 2 Leviathan ...
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大喵子LJ从莫奈的鱼儿
转采于2019-07-11 15:17:29
Destiny 2 Leviathan Natural Palette, Steven Klipowicz : It was an honor to work on the natural palette for the Leviathan destination, home of Destiny 2's first raid. It was so much fun to develop vegetation that mirrored the slovenly aspects of the Cabal
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大喵子LJ
Asian Temple, Manuel (Du)Pong
齐猪作品集, Star Academy : 齐猪，游戏影视概念设计师，场景插画艺术家，现任星雨CG艺术中心原画导师，拥有10年游戏制作经验，曾任盛大网络高级概念设计师、手游部艺术总监、网龙主创概念设计师、灰石工作室美术总监，在MMO、网页、手游项目均有丰富的实战经验和造诣，擅长现场教学。
Destiny 2 - Vex Props and Block Architecture, Ethan Scheu : I was tasked with redesigning and improving the Vex environment assets for Destiny 2. This involved creating all new textures and materials that had more depth and fidelity, and creating new work
Destiny 2: Gambit - The Drifter's Ship, Steven Klipowicz : My favorite asset to have worked on for Destiny 2: Forsaken was the "ice hunk" and alien growth portions of The Drifter's ship. The Drifter's ship is seen in the skybox of every Gambit m
Destiny 2 Forsaken: Tangled Shore Dev, Jeremy Fenske : Destiny 2 Forsaken Concept Work I did back in 2016-18 while working at High Moon Studios. It was an amazing privilege to contribute this awesome game that Bungie has built. Here are concepts I did for
Destiny 2 EDZ Dark Forest Assets, Steven Klipowicz : For the Dark Forest palette in Destiny 2, I was tasked with taking concept by Dorje Bellbrook and taking them all of the way to game assets as models, textures, and shaders. I helped develop the "t
Destiny 2 Nessus Natural Palette, Steven Klipowicz : On Destiny 2 I worked with fellow palette artist Andrew Kruetzer to create all of the natural palette for the centaur planetoid Nessus. I was responsible for the vegetation models, textures, shaders, an
Destiny 2 Forsaken - Dreaming City, Madison Parker : I helped develop the Dreaming City's lighting, working on spaces alongside world artists Matt Turner, Marc Thompson, Kyoungche Kim, Kevin Whitmeyer, Julio Juarez, and Brandon Campbell. Going deep into
Destiny 2 Curse of Osiris - Mercury - The Lighthouse, Noah Thompson : During Destiny 2 Curse of Osiris production I worked as the Lead World Artist on the project. I planned, scoped and directed the World Art work needed for this project. I collaborated w
Destiny 2 Leviathan Natural Palette, Steven Klipowicz : It was an honor to work on the natural palette for the Leviathan destination, home of Destiny 2's first raid. It was so much fun to develop vegetation that mirrored the slovenly aspects of the Cabal
Destiny 2: Forsaken: Dreaming City, Dorje Bellbrook : Trying to illustrate how the Dreaming City was carved out of existing rock cliffs.
Destiny 2 Forsaken - Dreaming City, Madison Parker : I helped develop the Dreaming City's lighting, working on spaces alongside world artists Matt Turner, Marc Thompson, Kyoungche Kim, Kevin Whitmeyer, Julio Juarez, and Brandon Campbell. Going deep into
Destiny 2 Curse of Osiris - Mercury - The Lighthouse, Noah Thompson : During Destiny 2 Curse of Osiris production I worked as the Lead World Artist on the project. I planned, scoped and directed the World Art work needed for this project. I collaborated w
Destiny 2: Dreaming City Lost Sectors, Kevin Whitmeyer : I was one of the main World Artists responsible for creating the Dreaming City. As always with everything at Bungie, this was a huge collaborative effort by many talented artists and designers acros
Destiny 2 Forsaken - Dreaming City, Madison Parker : I helped develop the Dreaming City's lighting, working on spaces alongside world artists Matt Turner, Marc Thompson, Kyoungche Kim, Kevin Whitmeyer, Julio Juarez, and Brandon Campbell. Going deep into
Destiny 2 Forsaken - Dreaming City, Madison Parker : I helped develop the Dreaming City's lighting, working on spaces alongside world artists Matt Turner, Marc Thompson, Kyoungche Kim, Kevin Whitmeyer, Julio Juarez, and Brandon Campbell. Going deep into
Destiny 2: Dreaming City Lost Sectors, Kevin Whitmeyer : I was one of the main World Artists responsible for creating the Dreaming City. As always with everything at Bungie, this was a huge collaborative effort by many talented artists and designers acros
Destiny 2: Destinations (2017), Mike Poe : I was responsible for environment lighting for various spaces across each of the destinations shipped at launch.
Destiny 2 Mercury Past Trees, Steven Klipowicz : These giant "tree" structures were for the Mercury Past environment in Destiny 2: Curse of Osiris. The concept was a mix between giant lily pads and fungus, emphasizing the "garden world&
Destiny 2 - EDZ - Sojourner's Camp, Noah Thompson : During Destiny 2's production I worked as the Destination Owner for World Art on EDZ. I collaborated with a wide array of artists and other disciplines to make sure that each space in EDZ was not only ar
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