Destiny 2: Curse of ...
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大喵子LJ从莫奈的鱼儿
转采于2019-07-11 15:18:53
Destiny 2: Curse of Osiris (2017), Mike Poe : For this release I was responsible for roughly half of the environment lighting for the Mercury destination. Skybox work handled by Eric Cassels and Mark Goldsworthy. Tree of Probabilities VFX handled by Jerem
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大喵子LJ
Destiny 2: Curse of Osiris (2017), Mike Poe : For this release I was responsible for roughly half of the environment lighting for the Mercury destination. Skybox work handled by Eric Cassels and Mark Goldsworthy. Tree of Probabilities VFX handled by Jerem
Destiny 2: Curse of Osiris (2017), Mike Poe : For this release I was responsible for roughly half of the environment lighting for the Mercury destination. Skybox work handled by Eric Cassels and Mark Goldsworthy. Tree of Probabilities VFX handled by Jerem
Destiny 2: Curse of Osiris (2017), Mike Poe : For this release I was responsible for roughly half of the environment lighting for the Mercury destination. Skybox work handled by Eric Cassels and Mark Goldsworthy. Tree of Probabilities VFX handled by Jerem
Destiny 2: Curse of Osiris (2017), Mike Poe : For this release I was responsible for roughly half of the environment lighting for the Mercury destination. Skybox work handled by Eric Cassels and Mark Goldsworthy. Tree of Probabilities VFX handled by Jerem
Destiny 2: Curse of Osiris (2017), Mike Poe : For this release I was responsible for roughly half of the environment lighting for the Mercury destination. Skybox work handled by Eric Cassels and Mark Goldsworthy. Tree of Probabilities VFX handled by Jerem
Destiny 2: Curse of Osiris (2017), Mike Poe : For this release I was responsible for roughly half of the environment lighting for the Mercury destination. Skybox work handled by Eric Cassels and Mark Goldsworthy. Tree of Probabilities VFX handled by Jerem
Destiny 2: Curse of Osiris (2017), Mike Poe : For this release I was responsible for roughly half of the environment lighting for the Mercury destination. Skybox work handled by Eric Cassels and Mark Goldsworthy. Tree of Probabilities VFX handled by Jerem
Destiny 2: Curse of Osiris (2017), Mike Poe : For this release I was responsible for roughly half of the environment lighting for the Mercury destination. Skybox work handled by Eric Cassels and Mark Goldsworthy. Tree of Probabilities VFX handled by Jerem
Destiny 2: Curse of Osiris (2017), Mike Poe : For this release I was responsible for roughly half of the environment lighting for the Mercury destination. Skybox work handled by Eric Cassels and Mark Goldsworthy. Tree of Probabilities VFX handled by Jerem
Destiny 2: Curse of Osiris (2017), Mike Poe : For this release I was responsible for roughly half of the environment lighting for the Mercury destination. Skybox work handled by Eric Cassels and Mark Goldsworthy. Tree of Probabilities VFX handled by Jerem
Destiny 2: Curse of Osiris (2017), Mike Poe : For this release I was responsible for roughly half of the environment lighting for the Mercury destination. Skybox work handled by Eric Cassels and Mark Goldsworthy. Tree of Probabilities VFX handled by Jerem
Destiny 2: Curse of Osiris (2017), Mike Poe : For this release I was responsible for roughly half of the environment lighting for the Mercury destination. Skybox work handled by Eric Cassels and Mark Goldsworthy. Tree of Probabilities VFX handled by Jerem
Destiny 2: Curse of Osiris (2017), Mike Poe : For this release I was responsible for roughly half of the environment lighting for the Mercury destination. Skybox work handled by Eric Cassels and Mark Goldsworthy. Tree of Probabilities VFX handled by Jerem
Destiny 2: Curse of Osiris (2017), Mike Poe : For this release I was responsible for roughly half of the environment lighting for the Mercury destination. Skybox work handled by Eric Cassels and Mark Goldsworthy. Tree of Probabilities VFX handled by Jerem
Destiny 2: Curse of Osiris (2017), Mike Poe : For this release I was responsible for roughly half of the environment lighting for the Mercury destination. Skybox work handled by Eric Cassels and Mark Goldsworthy. Tree of Probabilities VFX handled by Jerem
Destiny 2: Curse of Osiris (2017), Mike Poe : For this release I was responsible for roughly half of the environment lighting for the Mercury destination. Skybox work handled by Eric Cassels and Mark Goldsworthy. Tree of Probabilities VFX handled by Jerem
Asian Temple, Manuel (Du)Pong
齐猪作品集, Star Academy : 齐猪，游戏影视概念设计师，场景插画艺术家，现任星雨CG艺术中心原画导师，拥有10年游戏制作经验，曾任盛大网络高级概念设计师、手游部艺术总监、网龙主创概念设计师、灰石工作室美术总监，在MMO、网页、手游项目均有丰富的实战经验和造诣，擅长现场教学。
Destiny 2 - Vex Props and Block Architecture, Ethan Scheu : I was tasked with redesigning and improving the Vex environment assets for Destiny 2. This involved creating all new textures and materials that had more depth and fidelity, and creating new work
Destiny 2: Gambit - The Drifter's Ship, Steven Klipowicz : My favorite asset to have worked on for Destiny 2: Forsaken was the "ice hunk" and alien growth portions of The Drifter's ship. The Drifter's ship is seen in the skybox of every Gambit m
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