Intimate Cities, Jea...
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Watermelon🍉🍥🌼🌻🌞从CG寒江
转采于2019-08-06 09:01:35
Intimate Cities, Jean-Michel Bihorel : — Le vieux Paris n'est plus, la forme d'une ville
Change plus vite, hélas! que le coeur d'un mortel
— Old Paris is no more (the form of a city
Changes more quickly, alas! than the human heart);
场景
Watermelon🍉🍥🌼🌻🌞
Kong: Skull Island, Daniel Romanovsky : Some early Concept Art for Kong: Skull Island, It was a real pleasure to work with Jordan Vogt-Roberts on this film
Alien Insect Sketch_5, Andrea Chiampo : Fifth (macro lens) doodle for the series. Scroll for a better zoommed view!
The Hunt, Hethe Srodawa : So I want to make a game similar to PUBG but wrapped in a narrative of tiny people. Bear with me as I draw this out. I swear, it'll be cool!
The Haven, Markus Luotero : The Haven by Markus Luotero on ArtStation.
Sanctuary, Markus Luotero : Sanctuary by Markus Luotero on ArtStation.
Dishonored2 - bloodfly, Cristian-Marius Buliarca : Bloodfly model done for Dishonored 2 Concept and art direction by Arkane studios Highpoly modeling + lowpoly modeling + textures by me For bigger images go to my website: http://buliarca.blog124.fc2.com
Raider Camp, Markus Luotero : Raider Camp by Markus Luotero on ArtStation.
Intimate Cities, Jean-Michel Bihorel : — Le vieux Paris n'est plus, la forme d'une ville Change plus vite, hélas! que le coeur d'un mortel — Old Paris is no more (the form of a city Changes more quickly, alas! than the human heart);
Intimate Cities, Jean-Michel Bihorel : — Le vieux Paris n'est plus, la forme d'une ville Change plus vite, hélas! que le coeur d'un mortel — Old Paris is no more (the form of a city Changes more quickly, alas! than the human heart);
Intimate Cities, Jean-Michel Bihorel : — Le vieux Paris n'est plus, la forme d'une ville Change plus vite, hélas! que le coeur d'un mortel — Old Paris is no more (the form of a city Changes more quickly, alas! than the human heart);
Intimate Cities, Jean-Michel Bihorel : — Le vieux Paris n'est plus, la forme d'une ville Change plus vite, hélas! que le coeur d'un mortel — Old Paris is no more (the form of a city Changes more quickly, alas! than the human heart);
Templars, Jama Jurabaev : Started this in VR using Gravity Sketch. Posing characters in VR is super intuitive and way more faster than in traditional 3D. Render was done in Octane with some post and paintover job in Photoshop.
Templars, Jama Jurabaev : Started this in VR using Gravity Sketch. Posing characters in VR is super intuitive and way more faster than in traditional 3D. Render was done in Octane with some post and paintover job in Photoshop.
Templars, Jama Jurabaev : Started this in VR using Gravity Sketch. Posing characters in VR is super intuitive and way more faster than in traditional 3D. Render was done in Octane with some post and paintover job in Photoshop.
Templars, Jama Jurabaev : Started this in VR using Gravity Sketch. Posing characters in VR is super intuitive and way more faster than in traditional 3D. Render was done in Octane with some post and paintover job in Photoshop.
Templars, Jama Jurabaev : Started this in VR using Gravity Sketch. Posing characters in VR is super intuitive and way more faster than in traditional 3D. Render was done in Octane with some post and paintover job in Photoshop.
Templars, Jama Jurabaev : Started this in VR using Gravity Sketch. Posing characters in VR is super intuitive and way more faster than in traditional 3D. Render was done in Octane with some post and paintover job in Photoshop.
Templars, Jama Jurabaev : Started this in VR using Gravity Sketch. Posing characters in VR is super intuitive and way more faster than in traditional 3D. Render was done in Octane with some post and paintover job in Photoshop.
Templars, Jama Jurabaev : Started this in VR using Gravity Sketch. Posing characters in VR is super intuitive and way more faster than in traditional 3D. Render was done in Octane with some post and paintover job in Photoshop.
Early pre-production for Motiga (2013), Thomas Scholes : Back in 2013 I worked as a freelancer on early pre-production for a game that later evolved into Motiga's Gigantic. I don't believe much if any of this made it into the final game as it was designed
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