Destiny 2 - Lost Sec...
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儚火从金屋锁二羊
转采于2020-12-28 13:43:02
Destiny 2 - Lost Sectors - Nessus, Anthony Pitts : I didn't do much work on Nessus itself, but I was able to do some architecting and finishing in both Ancient's Haunt and The Carrion Pit. Ancient's Haunt was envisioned as an overgrown cavern with massive
命运
儚火
命运2：猎人悲伤之冠盔甲
Destiny 2 - Lost Sectors - Nessus, Anthony Pitts : I didn't do much work on Nessus itself, but I was able to do some architecting and finishing in both Ancient's Haunt and The Carrion Pit. Ancient's Haunt was envisioned as an overgrown cavern with massive
5c31ab710a74c611e812b5df2b383780
Destiny 2: Shadowkeep Moon Remaster (2019), Mike Poe : I also handled relighting all of the Destiny 1 Moon environments that were remastered for use in Shadowkeep. This work started as an 'off the books' exercise to test out how new D1 spaces could feel w
Destiny 2 Season Of the Forge: Raid Map, Mike Stavrides : I worked on the Location Representations for the players, combatants, and drop off locations. I was also worked on the back end setup to make this all work in game. Additional VFX by Tommy Mabe (
Destiny 2: Curse of Osiris (2017), Mike Poe : For this release I was responsible for roughly half of the environment lighting for the Mercury destination. Skybox work handled by Eric Cassels and Mark Goldsworthy. Tree of Probabilities VFX handled by Jerem
Destiny 2: Curse of Osiris (2017), Mike Poe : For this release I was responsible for roughly half of the environment lighting for the Mercury destination. Skybox work handled by Eric Cassels and Mark Goldsworthy. Tree of Probabilities VFX handled by Jerem
Destiny 2 | Equinox, Thad Steffen : My favorite kind of lighting occurs when surreal and real collide. Light needs to behave predictably, but also can break rules in this scenario, so it's a fun mix of, "what would the light do?" and "what
Destiny 2: Curse of Osiris (2017), Mike Poe : For this release I was responsible for roughly half of the environment lighting for the Mercury destination. Skybox work handled by Eric Cassels and Mark Goldsworthy. Tree of Probabilities VFX handled by Jerem
Destiny 2: Curse of Osiris (2017), Mike Poe : For this release I was responsible for roughly half of the environment lighting for the Mercury destination. Skybox work handled by Eric Cassels and Mark Goldsworthy. Tree of Probabilities VFX handled by Jerem
Destiny 2: Curse of Osiris (2017), Mike Poe : For this release I was responsible for roughly half of the environment lighting for the Mercury destination. Skybox work handled by Eric Cassels and Mark Goldsworthy. Tree of Probabilities VFX handled by Jerem
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