Dead Letters, Anne-L...
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非非123从面包烤糊了
转采于2022-09-27 14:53:21
Dead Letters, Anne-Lynn Sottas : This is one of my favorite Room in the Sector, I really enjoyed working on this space & developping the looks of the area with the other teams, it was really enlighting.
On Control I got the opportunity to be the Leve
科幻场景
非非123
Destiny 2 Mercury Past Trees, Steven Klipowicz : These giant "tree" structures were for the Mercury Past environment in Destiny 2: Curse of Osiris. The concept was a mix between giant lily pads and fungus, emphasizing the "garden world&
Destiny 2 | Infinite Forest, Mark Goldsworthy : Fully animated real time skybox.
Destiny 2: Leviathan , Dorje Bellbrook : The Leviathan, Emperor Calus' planet-eating pleasure ship. Thanks to Art Director Mike Zak for keeping me on point when I tried to make it square like other Cabal ships. The curved shape language really helped in
Destiny 2 - Season of Arrivals - Court of Savathun, Eve Astra : This was an especially fun part of the project for Destiny 2 - Season of Arrivals. I was tasked with creating the pinnacle boss arena for the season where the player faces the Hive wizard, No
Destiny 2 - Forsaken - The Shattered Throne, Brandon Campbell : I had the great opportunity to craft the world art of the entirety of the secret end game dungeon activity, The Shattered Throne, in Destiny 2 Forsaken. This was an incredibly exciting projec
Destiny 2 Curse of Osiris - Mercury - The Lighthouse, Noah Thompson : During Destiny 2 Curse of Osiris production I worked as the Lead World Artist on the project. I planned, scoped and directed the World Art work needed for this project. I collaborated w
Destiny 2 - Curse of Osiris - Simulant Present, Brandon Campbell : I had an incredible time in this portion of the release. I was responsible for the world art, architecitng, and finishing of the Simulant Present region in Destiny 2 - Curse of Osiris. I w
Destiny 2 - Ada-1's Loom
Destiny 2 - Ada-1's Loom
Dead Letters, Anne-Lynn Sottas : This is one of my favorite Room in the Sector, I really enjoyed working on this space & developping the looks of the area with the other teams, it was really enlighting. On Control I got the opportunity to be the Leve
Dead Letters, Anne-Lynn Sottas : This is one of my favorite Room in the Sector, I really enjoyed working on this space & developping the looks of the area with the other teams, it was really enlighting. On Control I got the opportunity to be the Leve
ryan-baker-rbaker-gateway-ls-08
Destiny 2: Beyond Light: Ice Moon Architecture, Dorje Bellbrook : These are all super old images I did to explore different possibilities for architecture on an ice moon. Some of them use kitbashed game assets made by Bungie's environment artists. Encel
Destiny 2: Shadowkeep Garden of Salvation Raid, Kevin Whitmeyer : I was one of the main World Artists responsible for creating the Black Garden. As always with everything at Bungie, this was a huge collaborative effort by many talented artists and designe
Destiny 2 - Curse of Osiris - Infinite Forest, Brandon Campbell : In a close collaborative effort with Mike Buelterman we worked on establishing the world art of the Infinite Forest for Destiny 2 - Curse of Osiris. I was responsible for world art, archite
Destiny 2 - Curse of Osiris - Infinite Forest, Brandon Campbell : In a close collaborative effort with Mike Buelterman we worked on establishing the world art of the Infinite Forest for Destiny 2 - Curse of Osiris. I was responsible for world art, archite
Final art created at 38000 x 15000 pixels, 300dpi, 16bit
Destiny: Hive Architecture Linework, Dorje Bellbrook : It took a lot of work before Hive architecture started to feel right. Here are some of my earlier concepts. Only little bits and pieces of each made it into the game. Photoshop, 3ds Max
Destiny: Hive Architecture Linework, Dorje Bellbrook : It took a lot of work before Hive architecture started to feel right. Here are some of my earlier concepts. Only little bits and pieces of each made it into the game. Photoshop, 3ds Max
{游戏系列} 莉莉丝废弃项目（UI,角色，场景）
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