☇ Daily Risk Designe...
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通过花瓣采集插件采集于2024-09-06 17:02:40
☇ Daily Risk Designed By @louisbrodinski + @kogancult
[ZZZPH011 @zzzen.store
Songs with no end Nº04
2x30 minutes of music selected by me
Clear with grey liner tape with screen printed clear cases and boxed-corner cellophane wraps
Artwork by @kogancult
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特营停
Comfy Project Note 01. Black ver 이번 실험은 리소로 인쇄한 노트 제작, 속지와 결합하여 실제본예정입니다 @hwf.edition
Photo by 지예책장 on July 20, 2024. May be an image of diary, magazine, book and text.
Posted by• @ychnjung How To Study(2/2)-during the 2024 winter semester at @basics.udkberlin i had a chance to make a publication about studying the visual communication at berlin university of arts. in this project, i decided to explore the silhouettes
#오렌지와빵칼 출간하고 벌써 3쇄나 찍었다구요? 그런 책은 참을 수 없쥬!! ⠀ ⠀ 책여사님의 이벤트에 당첨되어 만나게 된 《오렌지와 빵칼》 입니다. ⠀ ⠀ ⠀ 분명 이벤트할 때는 2쇄였는데, 받고나니 3쇄를 찍었다네요! ⠀ ⠀ ⠀ 두근두근✨ ⠀ ⠀ 반짝반짝 다채로운 표지를 보기만 해도 설레이는데요, ⠀ ⠀ ⠀ 『남몰래 김치를 물에 헹궈 먹는 사람. 』 ⠀ 『자유가 우릴 추하게 만든다. 』 ⠀ ⠀ 겨우
QQ浏览器截图20240906170842
QQ浏览器截图20240906170824
Deborah arrived at the workshop with a collection of printed images she had generated using AI. At first glance, the images appeared as if they were drawn from a forgotten archive, yet each one was crafted using distinct prompts. One of the images was i
Fotta Skateboard Magazine, Numero 10 — Volume 3 Published by: Premiate Edizioni Art Direction: @fedec_photo Extrafotta: @nonnabretzel.it Font in use: @alfatypefoundry #graphicdesign #skateboardmagazine #magazine #typography #editorial #layout #fotta #v
Photo by book obscura in book obscura with @kumacaux, @adtkfm, and @tissue_papers. May be art of 3 people.
☇ Daily Risk Designed By @louisbrodinski + @kogancult [ZZZPH011 @zzzen.store Songs with no end Nº04 2x30 minutes of music selected by me Clear with grey liner tape with screen printed clear cases and boxed-corner cellophane wraps Artwork by @kogancult
Today @liste_art_fair_basel opens where I’ll be showing new works with @damien.and.the.love.guru Come visit us if you’re here! Unclosed 2024 Encaustic, photocopy and fly-screen on wood 30x25x3cm Image: @usefulartservices
J'avais apporté une série de 5 petites plaques 7x7 cm, j'aime bien ces petits formats qui tiennent au creux de la main. Premiers tirages dans l'atelier qui fut le premier au début de l'atelier Outotsu, où Ritsuwo Kanno commença cette aventure il y a 50
ー archive 

ー Thank you to everyone who visited “The Matrix and Its Impression: The Presence of Absence“ at Fabcafe Kyoto. In this exhibition, I showcased three main series: “#illusion,” based on blurry images displayed while Instagram is loading; “(sk
One of my new pieces using paper lithography printmaking, graphite and pencil.. Impermanence, change, bounty…. Developed from some drawing work I did last year using the coastal hedgerows near where I live for inspiration… some way to go with this, but I
@ananas____ananas new identity. Inspired by ephemerality and softness. “These installations are meant to be temporary. They’re meant to be enjoyed in the present moment and then that’s it. Whether you take photos of it or you don’t, that’s the beauty of
New work from my ongoing project Thought Trails for UNSEEN Amsterdam with @janknegtgallery September 20-22. Thought Trails #351 Photo transfer on aquarel paper, cotton cloth, Indian ink, cotton cloth, beeswax, metal nails, sealer H30 x W21 x 2cm, uniqu
New work from my ongoing project Thought Trails. Next exhibition will be UNSEEN Amsterdam with @janknegtgallery September 20-22. Thought Trails #339 Back layer: photo transfer on hemp paper,, cotton cloth, Indian ink, graphite Front layer: photo on orga
Photo by LAND OF LAVA | Miori Takeda in 羽田空港第３ターミナル. May be a graphic of poster and text.
毎年東京都現代美術館で開催される「現代の表現の一側面を切り取り、問いかけや議論の始まりを引き出すグループ展」MOTアニュアル。本書は「MOTアニュアル2022 私の正しさは誰かの悲しみあるいは憎しみ」の展覧会カタログとして刊行された作品集。 大久保あり、工藤春香、高川和也、良知暁の4名のアーティストそれぞれに合わせてつくられた冊子と資料が５つの分冊になりクリアケースに入ったカタログです。展示風景写真、作品内テキスト、カタログ書き下ろしテキスト（高川和也、大久保あり）、展覧会キュレーターによる論考、作家資
Rounding error (resin series), 2024 resin, aluminum 38x26x6cm The works in this series consist of engraved aluminum plates that have been repeatedly flooded with epoxy resin of varying levels of transparency. The solid, semi-transparent block of resin cr
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